exhibitions, works |

19/01/2019

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Trace de Vie

LE REFUS DE PRECIPITATION

Regarder la lente déambulation de l’escargot se transformer en un sillon de lumière. Cet étrange animal, très différent de notre anatomie, nous incite à reconsidérer notre besoin de rapidité et de productivité :  et si nous imaginions un progrès qui prend son temps, plutôt qu’une innovation à coup de spéculations ? L’œuvre fait écho à la théorie de Ivan Illich, ce penseur qui expliquait dans les années soixante-dix qu’un vélo s’avère beaucoup plus rapide qu’une voiture, si nous prenons compte du temps passé à travailler pour payer le véhicule dans le calcul des kilomètres parcourus.

une création d’Antonin Fourneau

Production Mais Social Club

curation : Anne-Sophie Berard


exhibitions, news |

26/03/2017

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Waterlight Graffiti Madrid

In 2017, on the occasion of the 4th centenary of the beginning of its construction, the Plaza Mayor of Madrid will be more than ever at the heart of the cultural life of the city. Rich in its history and popular character, it will be the theater of interventions and initiatives of all kinds from the cultural, artistic, economic and social actors of Madrid. A whole program designed to revive this great square, at once beautiful and harmonious, cult and popular, austere and adorned with its finest attires, to celebrate as it should, along with all the people of Madrid and its 400 Years of history.

Waterlight Graffiti was exhibited during four days to celebrate the 400 years of plaza mayor. A wall of 12 meters long was setup in the middle of the plaza. The artist Suso33 join the event to perform 3 times during the event. Montana the famous paint aerosol spray brand produce especialy water spray can for this occasion.

 

  

exhibitions |

12/02/2016

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Waterlight Graffiti new version Tunis

waterlight graffiti

I was very proud to present for the first time the new version of Watertight Graffiti (A.K.A the high definition version) at the French institute of Tunis for the opening of their new building. The opportunity to collaborate with some local artists like the Calligraphitti artist Inkman. We used a special gel to keep his drawing for a whole week on the WLG.It was also an opportunity for me to present on a table the evolution of the project through references, prototypes and different versions of the materials. I think it was a great ditactic experience for me with the many people who came in order to better explain my project and my intentions.